How Joshua Reynolds' Unorthodox Style Redefined British Portraiture | Great Artists

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Published 2023-12-23
Sir Joshua Reynolds was a prominent 18th-century English portrait painter and the founder of the English School of Art. His transformative visit to Italy influenced his style, emphasizing classical elements and intellectual depth in his works. As the first president of London's Royal Academy, founded in 1768, Reynolds played a pivotal role in elevating British art and fostering artistic education. Known for over 2,000 portraits, he left an enduring legacy in the history of British art.

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All Comments (20)
  • @jimrodgers854
    Just got a Christmas book from my wife on Reynolds. After a 35 year career as an artist I still love drawing out the masters from yesteryear. At 67 years old there is so much more to learn from artists like Reynolds and this video is a great place to continue the journey. Excellent video it gets a well done.
  • Art historians have next to no understanding of the methods of painting—which is understandable, because none of them can paint. To say that Reynolds couldn't draw is absurd—what they mean, I assume, is that Reynolds didn't draw with a pencil. Like many painters before him (Rembrandt, for example), Reynolds drew with colour, directly on the canvas. This is not to say that he didn't use an underpainting: he did. At one period of his career, he used a thoroughly drawn grisaille underpainting, followed by thin glazes of colour (which have since faded).
  • @Siansonea
    6:32 "It was the Sistine Chapel that made the greatest impression on Reynolds, and from that moment on de developed a passion for the man who created it a quarter of a century before, Michelangelo." Um. What? Michelangelo finished the Sistine Chapel ceiling in the early 16th Century, between 1508 and 1512. That was two hundred years before Joshua Reynolds was even born. That is a pretty huge blunder. I don't think this is the most carefully produced program, if a mistake like that got through. 🤨
  • @jumaris28
    Thank you Perspective.. pushed the 👍 bottom already .. now Relax to enjoy your Masterpiece. Greetings from Panama 🇵🇦 !!
  • @beatrizperea5370
    Just finished watching! What a delightful episode! Greetings from Mexico City and wishing you a Happy Christmas. 🎉🌲
  • @user-hn2bo2pn7t
    To me his work looked more like caravaggio than Michaelangelos work. The dramatic light , the lack of drawing , the dark shadows. I liked Reynolds alot.
  • Technically, Reynolds was a great experimenter: he tried all kinds of weird combinations of materials (eggs, wax, unstable pigments …). Many of his paintings darkened, cracked and became greenish very quickly, because of his experimentations. One of his clients wrote a poem: "Paintings of old were well designed To keep the features of the dead in mind. But this great rascal has reversed the plan For the paintings die before the man!" Interestingly enough, he wouldn't let his students experiment.
  • @AldrianCG
    Serious question(sorry this is not my native language): why the use of the word “unorthodox”? I mean the antonym of orthodox is heterodox isn’t it? Well, at least in my language, Spanish.
  • @eamonr7151
    hey guys how about them Mannerism documentaries by Waldemar Januszczak
  • Michelangelo "a quarter of a century before" Reynolds? You should check your dates, m'dears.
  • @CippiCippiCippi
    Who writes this fluff? Give the job to Waldemar for godsake. Also, who else didn’t know Michelangelo and Reynolds were contemporaries? Holy A.I. Batman!
  • @larryseals4665
    Can you spell "camera obscure" (sp) ... nothing like a new technology to boost a tired tradition.