Ai

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Published 2023-11-21
A new song from FASCINATING AIDA's 40th Anniversary Show about the perils of artificial intelligence.

Music: Dillie Keane & Michael Roulston
Lyrics: Anderson & Keane

Now on tour! See www.fascinatingaida.co.uk for dates.

All Comments (21)
  • @annewynnowen3182
    Absolutely brilliant. Thank you Fascinating Aida for putting this song on YouTube. ❤️
  • @Barbarapape
    Aida just keeps on getting better. Even Alexa is now part of the song. More please.🤣👍💞
  • @KW-ro5ow
    I lost it at nipple clamps and c*cks. And again at buzzing down below 😂
  • @Knappa22
    Absolutely love this. The dystopian accompaniment and moves too. Fab!
  • Lmao 😂 I love you ladies! You just completely altered what had been until this moment a rather horrible tuesday morning. Thanks for the pick me up
  • @user-wc8mb7cv7r
    Still watching this repeatedly, listening to albums in loop and patiently waiting for the “DVD” to drop on your website so I can relive your amazing show in Folkestone!! 🙈🥰 Please come back soon! 🥰
  • @Alison.673
    Saw the show in Leicester last week and loved it, hope to see them when they come this way again❤
  • Please release that one next. I need extra songs for going around Tesco’s.😂
  • @adamoldridge
    We saw you in Birmingham a few weeks back and will do again in Coventry in the Spring - I hope this professionally recorded clip means there is a DVD or download release in the pipeline!!
  • @Pythonaria
    Brilliant! I had to mute my Alexa 😆🤣
  • @transversewithru
    I'm in my 40s and I still wanna be like these fine women when I grow up. ♥
  • @JerjerB
    Wonderful to get new content!
  • @JO3YSworld
    Loved this live when I came to watch back in October. This notification was at a perfect moment after just leaving a meeting which repeatedly referred to AI 😂 brought back happy memories!
  • @KubedPixel
    I soooooo can't wait to see you all again this weekend. It's been too long.
  • @cliffjamesmusic
    I really like this format and wit. It’s interesting how what is considered “acceptable language” has changed since the days of Flanders and Swann, whose renditions and language were very “proper BBC”, in pre-AI but fad-addicted days, such as in the song: Design for Living