🎵 3 PATTERNS Demystify ALL the CHORD CHANGES in Jazz Standards (Almost)
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Published 2024-04-13
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In this week's lesson you'll learn how to decode a jazz standard by learning 3 rules. Look for these 3 patterns you'll be able to understand (almost) any standard in a few seconds.
🎬 Harmony & Theory Playlist
• Harmony & Theory
Chapters
00:00 Intro
00:17 3, 6, 2, 5, 1
03:40 2, 5 to 4 with Backdoor
09:00 2, 5 to Relative Minor
12:04 Free PDF
12:18 A Beautiful Friendship
15:54 A Certain Smile
19:03 A Child Is Born
21:45 Last Thing...
22:40 End Music & Bloopers
Get Your Sax Together is a fun and informative channel, packed with free online saxophone lessons. My name’s Jamie Anderson and I’ve been a pro saxophonist since 1996. I release new content every Sunday at 7am UK so you can Sax Up Your Sunday! Subscribe and 🔔 click the bell icon (set to ALL) to get notified when new content is released. Thanks for watching! Jamie 🎷
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All Comments (21)
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Get your free PDF cheatsheet here www.getyoursaxtogether.com/3chordpatterns
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When we did counterpoint secondary dominants (classical stuff), We'd write the original chords, and underneath write ii of IV, V7 of IV - IV. So you had context in the home key but also the function of the chords
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So this is all it was all along after all with some substitutions and passing chords? The jazz progressions I mean? Great lesson. Learned a lot as a guitarist too. Thank you
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Harmony. Got to love it. Once you go around the circle and define every reason why every note/chord works, you come to realize that any note can work anytime, anywhere and the only real question is "Does it sound good?" This is a very cool screen you've got setup there. Great Fun, love the thinking and enthusiasm. Thanks much.
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Im a guitar player..and this make perfect sense..but the cavot is you must know something about substitutions,tritone subs and sec doms..GREAT LESSON..
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Pure gold. You are the man Jamie!
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Thanks Jamie! Chocked full of good information! I definitely had to pause a few times to be able to understand what was being taught.
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The way I write down the 2-5 to 4 looks like this: iim7/IV - V7/IV - IVmaj7
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Great video Jamie! It's a really meaty one this one but amazing how u showcased the fact that most jazz could simply be broken down into those 3 patterns and that it need not be overly complicated! Thanks!~
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What a great video Jamie!!🎉 thanks so much and I’ll wacht it again
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For brevity of terminology and better understanding of context, I prefer to refer to a dominant 7 with a natural 13 and a #11 simply as a Lydian dominant (provided your listener knows what that means). That and the altered dominant are tritone substitutions of each other using different modes of the same scale.
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thanks for the pdf, fantastically explained
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This may be the single most helpful video I've seen in a long while. Thank you so much!!
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A lot of great stuff covered here, Jamie. Your videos are SO well done. 👍
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Thank you Jamie! Great lesson.
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Excellent clear explanation
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Fabulous lesson Jamie. One to watch several times 😎
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A really great lesson!
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Interesting lesson, Mr Anderson. Thanks a lot.
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Thanks for another great video!
