Character Demo - "Wanderer: Of Solitude Past and Present" | Genshin Impact

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Published 2022-12-04
Searching and seeking for an illusory obsession through countless nights.
With melancholy and misery as company, malevolent winds mean naught to him.
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All Comments (21)
  • I love the fact he didn't even attempt to tell them he's a harbinger, he literally just chose violence.
  • @boop5716
    Never intrude on venti's leisure time Never interrupt kazuha's haiku Never ask scara for directions.
  • @jakecake4286
    Can we talk about how the whispers add such a good atmosphere for the song?
  • @deninin
    the editors for this video were probably having so much fun editing this, all the transitions and visuals are crazy good. scara slays as always
  • It’s quite cute of how Ei, Wanderer and Miko have relations with a bird. Miko toys with the bird but ends it later, Ei wants to have its company but it leaves. While wanderer wants to be alone, the bird wants to Interact and have wanderer’s company.
  • @dazaifeetpics
    i love how his personality is the same, it really suits his character. i couldn’t imagine scaramouche being really nice or anything
  • @boop5716
    We are moving towards Fontaine but I will really miss Wamderer's arc. He feels like main character now so it really does hurt saying goodbye to him. I hope hyoverse lets him keep appearances here and there so he's not forgotten completely :(
  • I love the attention to details in this. First, at the beginning, there's the sound of thunder, symbolizing the Shogun. The atmosphere is also the same as Ei's demo. Then, the bird arrives, much like Ei's idle animation. The main instrument for his theme is a flute – just like the beat-drop of his boss theme – which is an air instrument. His demo images, much like Raiden's, follows an electric sort of animation type, also reflecting on his slightly unhinged mental/emotional state. One of the Fatui agents holds the power of Electro, again alluding to Raiden. The circle(s) forming behind his back during his attacks are a copy of Ei's own. At the end, the beginning of his boss theme is playing, sounding very much like the usual Fatui theme, despite the generally Japanese theme to his demo music. And at the end of the day, he has the attitude of every notable Anemo character in Genshin; Don't interrupt a bard's leisure time, don't ever interrupt Xiao, don't interrupt a poet's haiku, and don't interrupt a wanderer's walk.
  • I feel the bird symbolises the state of Ei, Yae and the Wanderer's interpersonal relationships: Ei seems to want the bird's company but it leaves her, reflecting how she has the capacity to care for others but has lost many of her loved ones. Yae Miko teases the bird then devours it as she sees most people besides her god as mere playthings. The Wanderer briefly tolerates the bird's presence before falling back to his contemptuous ways in order to destroy his attachment to transient things before they choose to leave him, resolving to be alone.
  • "You'll die a thousand deaths for this" "I look forward to that. Sadly, you won't be there to see it" I just love the emo energy of him
  • @kuminya7120
    convenient timestamps for me: 1:01 - cool voices, squiggly text 1:10 - blueberry 1:30 - pretty wallpaper 2:01 - beat goes hard 2:05 - my favorite part 2:41 - my favorite idle animation
  • I love that he still the same and not a “boring good guy”. He is so real, with character. His lines are an art form.
  • I love how even after becoming the wanderer, scara/wanderer still goes like "if violence doesnt solve your problem, YOU ARENT USING ENOUGH VIOLENCE"
  • @joyboy3461
    I like the part where he said “ it’s wandering time” and wandered all over the place
  • @cryptnymph
    1:06 Most characters have a short, 1-2 sentence description in their splash art sequence, but the Wanderer doesn't. Maybe this symbolizes the fact that there are no records of his past in Irminsul, or maybe it reflects his desire to make a fresh start. Super cool detail either way!
  • @alisnoctis
    Y'all... I just listened to this with headphones for the first time and I didn't realize the depth of that bass after the beat drops. I don't quite know how to describe it but it damn near brought me to tears. It sounds more relaxed/subdued than the other renditions of his theme, but there's just this really gripping, underlying current of sorrow lingering there. It feels so heavy. Sheesh... I was missing out on a lot of the nuance of this track.
  • I love that he turned into scaramouche at the end, his little ominous fandango played and he addressed the underlings how I imagined he would speak to them as a harbinger. This is a really cool demo :')
  • Our glimpse of the Wanderer without him harboring trauma or any memory of the evil he’s done was so good. After the quest, I finally understand his voice lines and why he seems so calm in them. Especially his death line where he says, “The price… for my sins.” Initially I didn’t understand the emotion in them but now I see that it was him accepting that the Balladeer is also him and he sees it as a well-deserved punishment. I wish we could have had trauma-free Wanderer for a bit longer though, he was very cute
  • @TechyCatz
    Venti: Wouldn’t gliding be faster? Wanderer: Wouldn’t flying be faster?