Jadin: Sonatas for Piano with Violin

2024-05-07に共有
This new recording presents Jadin’s sonatas for piano with the “accompaniment” of the violin, his opus 1 and 3. The violin plays “ad libitum”. The violin part is written very economically, and in most cases can be omitted; its task is merely to highlight selected moments and harmonic expressions; sometimes, to fill out the harmony; and always, to provide a certain ‘motivation’ to the pianist. Also included are transcriptions for piano and violin of 3 of Jadin’s string quartets, which he dedicated to Joseph Haydn.

Composer: Hyacinthe Jadin
Artists: Marek Toporowski (fortepiano), Zofia Wojniakiewicz (violin) & Robert Bachara (violin)

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According to Marek Toporowski, the French composer Hyacinthe Jadin (1776–1800) was the author of ‘the greatest masterpieces of the French literature for the fortepiano from the time of the Revolution.’ Dying in poverty from tuberculosis at the age of 25, Jadin nonetheless achieved much in his brief life, composing both orchestral and chamber music with a bias towards his own instrument of the piano, such as concertos and these sonatas with optional violin accompaniment. Several published collections have not survived – or not been recovered – including a further 12 sonatas for the keyboard.

In a previous album on Brilliant Classics, Toporowski produced a definitive modern recording of Jadin’s Sonatas Opp. 4-6 (96958). On the present collection he presents Opp. 1 and 3, along with his trio of Op.1 string quartets in the composer’s own arrangement for piano and violin.Toporowski finds a pre-Romantic sensibility in this music, with tantalising anticipations of Schubert, Weber and even Mendelssohn in Jadin’s heightened language of expression, which ventures far beyond the conventional forms of his contemporaries.

An important point of reference for Jadin was nonetheless the music of Haydn. The Op.1 String Quartets, as played here in the composer’s transcription, are dedicated to Haydn and contain very obvious references to this composer’s style, in particular to his refined modulations. Jadin was also active in Paris while Jan Ladislav Dussek was living in the French capital. As a later co-creator of the London school of piano playing, Dussek seems also have had a great influence on the young virtuoso. There are salient points of comparison between these sonatas, whether played solo on piano or with their optional violin part, and with the sonatas for the same forces written by Dussek and recently recorded for Brilliant Classics by Petra Somlai, Julia Huber and Miriam Altmann.

Jadin’s music has never previously been documented in so comprehensive and stylish a manner as this evolving series from Marek Toporowski, and the quartets receive their first recording in this arrangement, which will appeal to all collectors of Classical-era curios.

Played by Early Music and Period Instrument specialist Marek Toporowski, with violinists Robert Bachara and Zofia Wojniakiewicz.

Tracklist:
Sonata Op. 1 No. 1 in D Major:
0:00:00 I. Allegro
0:10:06 II. Andantino un poco allegretto
0:15:37 III. Menuet. Allegro
0:18:55 IV. Finale. Presto

Sonata Op. 1 No. 2 in B Major:
0:24:22 I. Allegro fieramente
0:34:17 II. Rondo. Allegretto non troppo

Sonata Op. 1 No. 3 in F Minor:
0:38:29 I. Allegro poco agitato
0:44:00 II. Adagio
0:50:29 III. Menuet allegro
0:54:31 IV. Allegro non troppo

Sonata Op. 3 No. 1 in E-Flat Major:
0:59:52 I. Allegro moderato
1:07:24 II. Allegro poco agitato

Sonata Op. 3 No. 2 in G Minor:
1:11:38 I. Allegro con molto
1:17:05 II. Finale. Allegro non troppo

Sonata Op. 3 No. 3 in C Major:
1:22:06 I. Allegro
1:29:34 II. Adagio
1:36:25 III. Allegro poco presto

Quartet No. 1 in B-Flat Major:
1:40:28 I. Largo – Allegro non troppo
1:46:40 II. Adagio
1:52:12 III. Menuet. Allegro
1:54:05 IV. Finale. Allegro

Quartet No. 2 in A Major:
2:00:09 I. Allegro
2:05:05 II. Menuet
2:07:57 III. Andante. Pastorale
2:12:55 IV. Finale. Presto

Quartet No. 3 in F Minor:
2:18:35 I. Allegro moderato
2:24:58 II. Menuet
2:27:23 III. Polonaise

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コメント (18)
  • Thank you for watching! Tracklist: Sonata Op. 1 No. 1 in D Major: 0:00:00 I. Allegro 0:10:06 II. Andantino un poco allegretto 0:15:37 III. Menuet. Allegro 0:18:55 IV. Finale. Presto Sonata Op. 1 No. 2 in B Major: 0:24:22 I. Allegro fieramente 0:34:17 II. Rondo. Allegretto non troppo Sonata Op. 1 No. 3 in F Minor: 0:38:29 I. Allegro poco agitato 0:44:00 II. Adagio 0:50:29 III. Menuet allegro 0:54:31 IV. Allegro non troppo Sonata Op. 3 No. 1 in E-Flat Major: 0:59:52 I. Allegro moderato 1:07:24 II. Allegro poco agitato Sonata Op. 3 No. 2 in G Minor: 1:11:38 I. Allegro con molto 1:17:05 II. Finale. Allegro non troppo Sonata Op. 3 No. 3 in C Major: 1:22:06 I. Allegro 1:29:34 II. Adagio 1:36:25 III. Allegro poco presto Quartet No. 1 in B-Flat Major: 1:40:28 I. Largo – Allegro non troppo 1:46:40 II. Adagio 1:52:12 III. Menuet. Allegro 1:54:05 IV. Finale. Allegro Quartet No. 2 in A Major: 2:00:09 I. Allegro 2:05:05 II. Menuet 2:07:57 III. Andante. Pastorale 2:12:55 IV. Finale. Presto Quartet No. 3 in F Minor: 2:18:35 I. Allegro moderato 2:24:58 II. Menuet 2:27:23 III. Polonaise
  • @anigiuran109
    This beautiful music , enjoyed me in this lovely afternoon ! Thank you Brilliant Classics ! 😊😊😊😊😊❤❤❤❤❤
  • @RosCharron
    Totally brilliant BC!🤓 Certainly brightened my non event day!
  • I was sitting at the table listening to it The power of music is conveyed to me🥰
  • 아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
  • @Piflaser
    Wonderful, but his piano solo sonatas are better.
  • Klavir isuviše glasan , violine se ne čuju , a suština kamernog muziciranja usklađenost u zvuku i muziciranju . Ovde imamo solo klavir , pri tom loš , i blede gudače , koji nemaju ni malo prostora za izraz . Moguće je da je i do lošeg snimka , na kome je mnogo ozvučen klavir , a malo ili nikako gudači