The Ink that Bach used
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Published 2024-05-09
00:00 Summary of topics treated in this video
00:36 BWV 816 Allemande French Suite 5 - Bach using a weary quill
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02:51 BWV 41 Violincello piccolo – Recutting a quill
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04:29 Klavierbüchlein für Anna Magdalena Bachin – How to date a score
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05:12 Das Wohltemperirte Clavier 1 - Watermark
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05:12 BWV 816 Student copies
Heinrich Nicolaus Gerber www.bach-digital.de/receive/BachDigitalSource_sour…
Johann Caspar Vogler www.bach-digital.de/receive/BachDigitalSource_sour…
06:39 BWV 123 Liebster Immanuel, Herzog der Frommen – Quill
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BWV 124 Meinen Jesum lass ich nicht – mingling different types of ink
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07:54 BWV 816 Gigue – foodstain
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08:15 BWV 906 Fantasia - Hair of Bach & resolution of scans
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08:33 BWV 48 Ich elender Mensch, wer wird mich erlösen – Fly
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09:06 How the notebooks were used
09:31 BWV 836 Allemande Klavierbüchlein für Wilhelm Friedemann Bach
Due to the concordance with a source attributed to the Bolognese composer Sandoni, the attribution to a member of the Bach family now seems very unlikely.
10:26 BWV 1132 Contrapuntal studies
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11:33 Second notebook Anna Magdalena Bach
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BWV 82 Aria Schlummert ein, ihr matten Augen
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12:24 BWV 812 Allemande – Calligraphy of Anna Magdalena
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15:01 BWV 991 Air – sketch
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17:22 BWV 103 Ihr werdet weinen und heulen – ghosting notes by sweeping
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17:39 BWV 1001 Prelude Cello suite 5 – correction of notes
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18:00 BWV 1121 Fantasia - Organ Tablature
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19:30 Red vermillion ink
BWV 244 St Matthew Passion – use of red ink
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20:32 Brown and black ink
BWV 846 Fugue – use of brown and black ink
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BWV 163 Nur jedem das Seine – revision in black
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21:14 Confettifying of scores
21:28 Ink corrosion
21:35 Chiffon silk
BWV 68 Also hat Gott die Welt geliebt – Soprano part
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21:46 BWV 846 Prelude – paper splitting
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22:03 BWV 47 Violino obligata – carbon ink
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22:22 BWV 232 Hohe Messe – iron gall ink
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22:56 BWV 66 Erfreut euch, ihr Herzen – individualty of notes
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23:28 Calligraphy in commission
All Comments (21)
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I’ve never seen a close examination of Bach’s manuscripts before. I sympathize with his scarcity of materials we take for granted.
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I've always considered Bach's manuscripts as works of art. Then you hear the incredible music.... .
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You tell such wonderful stories through your paleographical analysis of Bach's scores. Thank you for breathing new life into these often battered pages!
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I attended a lecture by Robert Levin once. In the lecture, Levin spoke of how he studied the color of ink in Mozart's scores. From this, he was able to deduce that Mozart wrote three piano concertos at the same time.
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It's an amazing insight that bach composes the top voice first, at least in some cases. He might not have been as figured bass oriented as we think. The foundation sometimes is the melody
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Sehr geehrter Herr Witte, Ihre höchst interessanten Beiträge rund um das Schaffen Bachs sind nicht nur außerordentlich informativ, sondern spannend wie ein Thriller. Ich hoffe, Sie bekommen die verdiente Anerkennung und sage siebenstellige Zugriffszahlen voraus ;) Herzlichen Dank für Ihre überaus wertvolle Arbeit!
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This is extraordinary. My house is full of Bach's music - who's house isn't? I am also an Artist/illustrator and have recently begun making my own ink. So, when a video about the ink Bach used appears . . . ! This was a wonderful way to begin my day. ❤️ Best wishes from Vermont 🍁
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Спасибо) Очень интересно, я много всего узнал.
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This is so cool. I love to copy scores. It relaxes me.
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What a wonderfully interesting/educational video, providing yet another level of enjoyment of the works of the great master. Thank you for sharing this with us.
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this makes me feel a lot better about the quality and condition of my writing and written compositions! 😆
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This is the second of these programs I have watched. Both were fascinating. It is seriously valuable work and I am glad the decision was made to share it. You actually get a sense of Bach’s physical presence. Superb.
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What a wonderful presentation!
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Absolutely amazing, beautiful master piece work, thank you for your effort!
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i learned Bachs sonata no. 1 for solo violin in high school, and then 20 yrs later, i wrote out the score based on the autograph manuscript. it revealed so much in the score I didnt appreciate in the engraved version. takes time but highly recommend the exercise! your video takes this to another dimension
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The dotted note of a higher value such as a dotted 1/8th followed by a 16th was understood from French harpsichord music to be played as a prolonged double dotted 1/8th or longer and the 1/16th note shortened. The instance of the 16th note instead of 1/8 not cited was understood as having a preceding 1/16 note rest. I might point other 17th-18th century performance practices, short hand as to writing an ornament in a motive which in reoccurring occurrence also understood to be played, or adding a trill in an ending cadence although not written was obligatory in performance.
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the brief excerpts really enhance this wonderful video, thanks
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Absolutely interesting! Please keep these coming.
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Another brilliant video! Thank you for making these.
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This is fascinating! Thank you so much for sharing!